This quasi-sequel to the genuine Alice in Wonderland novel concerns a 20 years old Alice a terrifically low-key and deviously seductive Mia Wasikowska on the precipice of accepting an unwanted engagement to a connected young-gentleman. At the time of said proposal Alice is distracted by a strange anthropomorphic rabbit that seems to be gaming for her attention. History repeats itself and Alice again tumbles down the rabbit hole into the magical world of Underhand. But Underhand is now a desolate fire-scorched world ruled by the Red Queen Helena Bo-ham Carter.

Alice does not memorize her previous trip when she was a wee child but apparently it is her destiny to return and make things right again. The complexion she meets are certainly eye-catching and the White Rabbit voiced by Michael Sheen percolates with antic charm and Tweedledum and Tweedledee Matt Lucas are fleshy twins and the Cheshire Cat with electric blue stripes is voiced by Stephen Fry in drolly amused dry-sherry tones. Then there is Johnny De-pp who plays the Mad Hatter with multicolored eyes an exploding Bozo carrot top and a gaze of luminous dementia. He is a fantastic image but once De-pp opens his mouth what comes out is a noisome Scottish twang that makes everything he says sound more or less the same and depp’s counterpart in shrill sameness is Helena Bonham Carter. Unfortunately Anne Hathaway is miscast as her sister the White Queen as her white hair and black eyebrows look weird and she is not temperamentally suited to the role’s benign arrogance.

Tim Burton with his crazy love for rabbit-hole alternative worlds Beetle-juice baroque oddballs Batman Edward Scissor-hands and kiddie fables told with a cynical wink Charlie and the Chocolate Factory would seem to be the perfect director to adapt Carroll’s legendary tale and make a memorable zany-dark movie out of it. But Burton’s Disneyfied 3-D Alice in Wonderland, written by the girl-power specialist Linda Woolverton Beauty and the Beast is a strange brew indeed. It is murky diffuse and meandering set not in a Wonderland that pops with demented life but in a world called Under-land that’s like a joyless bombed-out version of Wonderland and it looks like a CGI head trip gone post apocalyptic. In the film’s rather humdrum 3-D, the place doesn’t dazzle it droops. The 3D conversion actually works best in the real-world prologue and epilogue when it creates a genuinely immersible experience. Yet once the picture descends into fantasy, so much of what you see is so obviously fake that you can’t believe your eyes no matter what dimensions the image is in.

The 3D is not terribly distracting but it adds very little to the experience and is probably a large part of why the film’s colors seem so muted and pale and quite frankly this one can be enjoyed far well in a 2D screen.

Alexander McQueen and Lady Gaga vaguely worn-out through a whole new leading edge in the shelf of fashion shows as worldwide live activity Tuesday night. McQueen’s gathering Plato’s Atlantis was live-streamed on Nick Knight’s SHOWstudio.com intercut with the photographer’s premade video copy. That’s the plan anyhow until 30 minutes earlier than the show Gaga Twittered that McQueen was about to premiere her new single. She has million followers and certainly before the crashing of the edge could quite come about SHOW studio itself crashed.

It’s a big budget creation and there was a shining light runway in which two creepy robotic movie cameras on huge black booms ran back and forth while a screen played Knight Video of Raquel Zimmermann mendacious on sand and naked with snakes writhing transversely her body.

That time the models came out and dressed in short reptile-patterned digitally printed dresses. An internal logic according to the McQueen detailed in a press release was casting an apocalyptic forecast of the future environmental reduce of the world. Civilization is made up of creatures that develop from the sea and we may be heading back to an underwater potential as the ice cap dissolves.

McQueen’s significance the whole time was basically sunk in to the short dresses. A secure development of his engineered sea-reptile prints worked into a nipped-waist belled-skirt silhouette. First green and brown colors moving to aqua and blue were extremely executed and swaged and molded across pannier arrangements. Every dress was computer created work art crossbred with McQueen’s couture based mark cut.McQueen breaking out from his set design shape the way he is implementation new computer technologies and drama of the moving image place him at the foremost frame of change.

Paris Hilton is destroyed by her friend and heiress Casey Johnson’s death and says she feels she has lost a sister. “I feel so sad right now, my heart is in suffering. She lost a long-time friend. My heart goes out to her family,” Paris posted on her Twitter page.

“In bed crying, looking at baby pictures of Casey, Nicky and I. I feel sad. I feel like I’ve miss a sister. My heart is crash. Miss her. God has another angel by his side. Casey, we all love and miss you and know that you are in a better place,”.

Casey’s and Hilton’s parents are friends since earlier both girls were born. Paris’ sister Nicky Hilton is godmother to Casey’s adopted daughter, Ava, 3.
Casey lay dead for days earlier her body was found at her home in Los Angeles Monday morning. The Johnson & Johnson heiress, who was engaged to reality TV star Tila Tequila, had a past events of diabetes and twice slipped into diabetic coma. Officials have completed an examination  on the 30-year-old’s body and conclude there were no evidence of trauma on Johnson’s body.
Law enforcement sources asked she had been dead for several days, reported imdb.com.
The cause of death is put off unsettled toxicology tests.